cost-effectiveness of the music industry
Needs to be plagiarism free! The censoring process began in the 1950s when the perceptions of the traditionalists and conservatives in the music industry started coming out into the open (Nuzum, 2001). Rock and roll music only exacerbated the issue, increasing immorality among American youths and bringing additional clashes with the beliefs of traditionalists within their community (Johnson & Cloonan, 2009). In response, the ethical bodies within the country were charged with the task of regulating the open discussion of drug abuse, violence, and sex by several musicians. Since then, music censorship advanced in pace and prevalence until our day, when regulation has become lax and we are returning to immorality. In order to strengthen community morals and the cost-effectiveness of the music industry, it is imperative that musicians support stringent censorship laws.
By the end of the 1950s, the younger generation had already begun to express new, more liberal opinions on the issues of sex, drugs, and violence. These immoral views were what initially created the need for censorship in music. Although sex and drugs had existed before, they had been discussed in secret, but at this time musicians began to speak openly about them, so censorship of music became vital. The same is true today, as these topics are still common in the music of all sorts. For example, with the onset of rhythm and blues music that is greatly associated with black musicians, the issues of sex and drug use became more openly spoken about (Johnson & Cloonan, 2009). The majority of the white population at the time perceived this music as responsible for the drug use and violence found among black youths. In regards to these accusations and trends, many songs by various black artists have been banned and termed as controversial, and they should therefore discard these lyrics (Nuzum, 2001). Similarly to this, in the 1960s when musicians advocated drug usage, “politicians and civic leaders started coming out of the woodwork to save the country’s youth from the evils of drugs” (Nuzum, 2001).
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